I was first introduced to this song via Rod Stewart’s cover. Suffice to say I was surprised to find out that it was originally written and recorded by Creedence Clearwater Revival. Up until that point I solely knew them for Bad Moon Rising which in turn I solely knew as the song from An American Werewolf In London. I can confirm I’ve now educated myself far more thoroughly with CCR’s back catalogue though and this song has remained one of my favourites of theirs.
We have covered a few tracks in the past where the intent has been to shine a spotlight on some songs that get dismissed as run of the mill, when in fact there’s a very sincere and well thought out piece buried within layers of production. This one somewhat falls into that category, though I’d hardly argue that the sincerity is absent in the original. Frontman John Fogerty maintains that the song was written in relation to rising tensions within the band and specifically the impending departure of his brother Tom from the group, despite the theorising that it related to the Vietnam war amongst other things. Nobody can argue that there is a genuine level of emotion and strife to be heard in the original but for me there’s an alternate spin available by bringing it down a bit more in pace, tearing the song open and letting it be even more raw. And that’s how we ended up here! As always, watch, like, share, subscribe!
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